King of Hearts sounds like it might have been sung by any aspiring European starlet of the past 10 years. The title track turns the eponymous beast into a libido that needs to be sated via basic lyrics served over forgettable bubblegum beats. The first few tracks on the record are among Petras’ least appealing. While Petras recently said she took the extra time to “make sure it’s the best it can possibly be”, the album is a mostly uninspired collection of generic pop excess. The title refers to her studio bosses imploring her to keep the momentum going post-leak. Now, a year after she shelved an album release after most of it was leaked online, she’s ready to put out her first proper studio album (since debuting in 2017 she’s also put out two mixtapes and an enormous amount of singles). In February, she became “a tranny with a Grammy”, as she proudly declared on her Instagram after taking home Best Pop Duo/Group Performance for Unholy, her salacious duet with Sam Smith. Still not quite a household name, she’s closer than ever to realising that dream. Three years later, she moved to Los Angeles and began networking with industry players who could help her chart a path to stardom. The German artist was approved for gender confirmation surgery at 16 years old, making global headlines. Kim Petras has known two things from an early age: that she was a woman born in a man’s body, and that she wanted to be a pop star. Kim Petras’ Feed the Beast: The pop star’s debut could’ve been beastier.
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